What else can I say? Undertale is spectacular, even three years later. It’s a game that deserves every bit of praise that it receives, and a game that the people who love it are going to remember for a long, long time. I can’t express how happy I am to have had the opportunity to experience it again on the Switch.

One of the most original modern JRPGs of all time, and beatable at the fraction of the time. Once you get over its primitive aesthetic, you’ll soon realise why everyone else has been so captivated by Toby Fox’s creation.

If you haven't played Undertale before, you will want to pick this Switch version up to experience what everyone's talking about for yourself. [Issue #36 – November/December 2018, p. 17]

Undertale is a brilliant and smartly designed game that understands well what makes a good RPG work; so much so that it can upend expectations and deliver something that’s almost a satire of the genre. It’s been a long time since we’ve played a game that manages to surprise so often and in so many unique ways, and even if it doesn’t look like much, Undertale has way more going for it under the surface. Excellently written characters, a genre-bending battle system and a solid soundtrack make this one an easy recommendation, especially to RPG lovers. Do yourself a favour and give this one a download.

Going through the experience today, it’s easy to see why Undertale was the talk of the town two years ago. It’s not an overly long playthrough, but it’s an impactful 7+ hours. A slow burn that starts off cute, but builds up to an absolutely thrilling last couple hours. I’m not sure if the Pope has gotten around to playing it yet, but he would be doing himself a disservice if he hasn’t.

Toby Fox's work is not just an anecdote: it is perfectly well-thought out. It hides something that connects directly or indirectly to anyone who has spent too much time with a gamepad in his hands.

The game is every bit as charming, challenging, and harrowing as it was the first time around.